‘The Bath’ de Pierre Bonnard   ‘White Reclining Nude’ (1956) de William Scott é propositadamente baseada na pintura ‘The Bath‘ (1925) de Pierre Bonnard.   Para William Scott, as subtis divisões horizontais de cor e de matéria afirmam uma forte afinidade desta pintura de Bonnard com as pinturas de Rothko.   A figura submersa, de Bonnard desfaz-se […]

  William Scott e os objetos simples (parte II)   ‘My experience in America gave me a determination to re-paint much that I left unfinished in terms of the symbolic still life. With the example of Ben Nicholson, whom I much admired, there was no reason for me to be devoted solely to abstraction and […]

    William Scott e os objetos simples.   ‘It is in the act of making that the subject takes form, it is in the adding, stretching, taking away and searching for the right and exact statement that a tension is set up. I want to paint what I see but never immediately; there must be […]