‘…the entire dynamics of the film centres on the moment this woman refuses to be this cliché, on the moment when she no longer wants to be looked at but wants instead to look at others and becomes the looking subject.’, Agnès Varda In Agnès Varda: Interviews (Conversations with Filmmakers Series) No filme de Agnès […]

Cinema – subjetividade e transcendência “Objectivity would be to record what’s going on in the street and even then you wouldn’t see everything.”, Agnès Varda, 1962 (Kline 2014, 5) Em Le Celluloïd et Le Marbre (1965) de Éric Rohmer, o pintor Victor Vasarely afirma que toda a ação que leva à entropia e que caminha […]